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Wow. I first saw Princess Mononoke during its limited theatrical release (twice). Many people have issues with the dub, but this is by far the best dubbed anime ever to be released — I, like most anime fans, normally insist on subtitles, but Neil Gaiman and the cast succeeded in putting real emotion into these characters. The casting of Billy Bob Thornton and Claire Danes might rub some ears the wrong way, but in my opinion the emotional impact is still there regardless of the odd accents. In any case, the Japanese track is included, and it’s phenomenal. As for its content, most arguments about its violence and length can be dismissed by viewing it as a film, rather than as a cartoon. It’s not Disney. The plot is a complex and delicate exercise in shades of gray. Don’t expect Akira or Macross either — it’s really not of the same genre.
The video and audio quality is the sort that you would use to show off your new home theater system. In fact, I found the Japanese soundtrack to be richer and better dynamically balanced than the English track (!). Disney/Miramax really took advantage of the format by including BOTH the Japanese and English opening titles and credits — they are automatically selected depending on your choice of language via an angle switch. Transparent and ingenious. There are two sets of subtitles — one for the English track, and the other is the literal translation of the Japanese (since some liberties were taken in creating the English script).
Disney was originally going to release “Mononoke Hime” without the original language track, which created an outrage among anime fans (who, myself included, signed a massive internet petition which eventually turned the tide). I applaud this decision, as well as the splendid attention to detail. It has made this incredible movie an even better value.
It is difficult to be profound about a movie that has been written about so much. Much of which has been written is rather obvious. Hayao Miyazaki’s Princess Mononoke, although it is an adult oriented film in terms of complexity, it has something for everyone. Princess Mononoke is appealing on many levels because much like other anime features like Armitage III, Ghost in the Shell, and Akira, Princess Mononoke also confronts the issue of technology head on. However, what is unique here is that Miyazaki problematizes the duality of man vs. nature really expanding the problem to man within nature and calling for a sense of co-operation. Again, While other movies like Armitage III, Ghost in the Shell, and Akira are a shade darker than most, Mononoke is laced with hope and reconstruction.
Based on our epistemological framework we are looking for good vs. evil. We are always trying to set things up in a space of binary oppositions. Most viewers are looking to make things “simple.” Juxtaposed against our longing for the simplistic, Miyazaki doesn’t make judgements about good or evil. Miyazkai simply asks many questions. It is really unfair to make any direct comparison but the reason this genre is appealing to a wider audience is that this genre and the movies that are produced within it are more “realistic” than the more common Disney animations offerings.
Another sub-theme is the healing power of nature which is superior to the human need to conquer and control. Susan Napier writes: “At a more complex level, films such as Princess Mononoke actually works to resist and even confront certain public stereotypes, inspiring huge numbers of moviegoers to look at some of the myths of modern Japan in a more critical way.” The movie zeroes in on ecological issues, a far cry from the stereotypes we have of Japan as a giant impersonal machine. Along this same lines, the big four (listed previously) warn us just as much about the march of modernity and technology. In Princess Mononoke, it seems like Miyazaki is setting up a battle between man and nature. My sense is that it is man in nature.
No doubt, this is a complex movie. The interplay between Asitaka, Mononoke and Lady Eboshi is not a simple one. Within the confines of the story, no one character is all bad or all good. All the characters are multi-dimensional and not one character is a caricature. A pivotal character is Lady Eboshi. Lady Eboshi’s involvement with Iron Town is not be dismissed as trivial. How is the viewer going to reconcile Lady Eboshi’s agenda and altruism? The beauty and wonder of Princess Mononoke is not so much that it provides answers but that it poses deep questions. For this reason alone (and there are many) Princess Mononoke can be classified as a work of art and it will survive the ravages of time.
Miguel Llora
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