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The Sergio Leone Anthology Streaming. Movie Title: The Sergio Leone Anthology Average customer review: The Sergio Leone Anthology is available for streaming or downloading. Click Here to Stream or Download The Sergio Leone Anthology

Prepared for release in 2005 we’ve only had to wait two years for this deluxe reissue of three of the four Leone films included here. For those that want to know this box dwelling has a 32 page booklet with credits and essays on the films but no postcards like the current release of “The Fine, The Dreadful and The Gruesome”. If you want the collectable version, I direct you’ll have to remove these individually. This residence is definitely worth picking up as it is a Tremendous improvement over all the previously released home video versions of the film. All the films seek terrific, have commentary tracks (although “The Fine, The Awful and The Grisly” is the steady same release as before) and vast featurettes/extras that were released overseas two years ago.

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“Fistful of Dollars” looks very generous in its recent DVD transfer lovingly restored although there is an irregular strobe like finish in one sequence. We collect a terrific commentary track from Leone scholar Sir Christopher Frayling discussing the making of the film, the delayed release in the United States (share of which was related to Akira Kurosawa’s lawsuit. It was legit though since “Fistful” is an unauthorized remake of Kurosawa’s classic “Yojimbo” although Leone’s version of the same memoir is equally compelling), how Henry Fonda and Charles Bronson (who called it one of the worst scripts he had ever read…sharp considering he later appeared in “Once Upon a Time in the West”) both turned down the lead role.

Eastwood reveals in a featurette that he wrote worthy of his bear dialogue for the film, made his fill script notes all of which contributed to truly making the role his beget.

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“For a Few Dollars More” looks exceptional. Like all the films here, it is released in an anamorphic widscreen transfer that does justice to the deep, rich colors of the films. There is one scene where there appears to be some sort of scratch on the film that wasn’t corrected but otherwise the film looks stunning. We also come by Eastwood again discussing the making of the film, Sir Christopher Frayling with another very apt commentary track as well as a allotment that compares three variations in the film (the sequence where Manco and Mortimer are beaten up has a slightly longer more brutal variation and we also sight the device UA released the film with a brief neat that eliminated Manco’s name to tie the film into the promo campagin that UA had for “The Man with No Name”) .

“The Agreeable, The Terrible and the Unpleasant” is exactly the same as the 2005 release on DVD fair down to the graphics on the disc. Sir Christopher Frayling did portray a commentary track for this after it was released hoping that it could be added to later editions (he wasn’t available for the unusual remaster. Time critic Richard Schickel does the honors here) . The extras are exactly the same. For those that are involved this includes the 5.1 mix that had unique sound effects for that mix but does not include the modern mono soundtrack in English.

“Duck You Sucker” comes in the most complete version released so far. At 157 minutes it is closest to Leone’s novel nick of the film. The film looks exceptionally estimable. It’s obvious that John Kirk went the extra mile to catch this moral. Also, kudos to Glenn Erickson (aka DVD Savant at DVD Talk) who worked on the featurettes and started the campaign to acquire these films restored and released on home video ages ago.

Again, Sir Christopher Frayling does a very obedient commentary track discussing the various versions of the film released. The soundtraack has been reprocessed for 5.1. Sergio Donati a collaborator of Leone’s discusses working on the film in a featurette and how Eli Wallach was replaced by Rod Steiger at United Artist’s insistance but that Leone never shared the information with Wallach. “Restoration Italian Style” features John Kirk who worked on this special project discusses how he went about reassembling the film for this edition. We also secure residence comparisons (this is also on the other discs as well) showing scenes from the film and how the locations peep now. “The Autry Indicate” is a featurette on a note assembled by Frayling and Estela Chung for a Leone point to. Unfortunately, that happened in 2005 when this was ORIGINALLY was supposed to be released before MGM was bought by Sony throwing this and other releases into limbo. “Sorting out the Versions” uses stills, footage mature to exhibit us scenes that weren’t included in the movie.

The whole region is assembled in a cardboard foldout box with the discs resting on top of each other. There’s a itsy-bitsy holder built into the situation for the booklet.

Overall this is a terrific state and an indispensable addition to fans of Leone’s westerns. Although it took two years to accept this released in the United States (that’s nothing compared to the delay for the second season of “Twin Peaks” for even the release of the pilot for that demonstrate in the U.S.), it was worth the wait. I’m not obvious what the Blu-Ray plans are for this release yet so I went ahead and plunked down the money for the whole area. Fans who already have “TGTBATU” may want to assume these individually although it would be more expensive than this spot. MGM (and Fox which distributes all MGM titles now even though MGM is held by Sony) have done a terrific job with this residence. My only complaint is that it would have been nice to have the collectable postcards that reproduced the lobby cards/posters. Highly recommended.

The word on MGM’s higly anticipated “The Sergio Leone Anthology” is good; almost nothing unpleasant or hideous to record. The eight-DVD location turns out to be a clone of the perform, format and extras from 2004’s advantageous upgrade of “The Obliging, the Unpleasant, and the Unpleasant.” That DVD was so beneficial, in fact, MGM didn’t change a thing in transporting it into this box position, down to the liner notes develop.

All films are restored to their plump running times (or as terminate as possible) and appear in handsome 2:35.1 anamorphic widescreen. They all approach in English Dolby 5.1, but gape comments below.

“A Fistful of Dollars,” the first in Italian director Leone’s “Man with no name” trilogy, looks smashing — far better than you’d question for a low-budget pic from 1964. Images and audio are dead-on. If you haven’t seen the film for a while, you’re in for some serious fun. The film holds up beautifully and young Clint Eastwood’s performance is a hoot. Quentin Tarantino calls it “the best-directed movie of all time.”

The marginally less-successful sequel “For a Few Dollars More,” with Lee Van Cleef, exhibits a gorgeous amount of speckling on the otherwise decent color images. The dubbed English stereo audio option proved a awful choice — voices wandered around the front soundstage for no apparent reason. Leone purists will be listening to the straight-shot mono on these titles, anyway. You might as well join them. […].

In “The Excellent, the Poor and the Repulsive,” Eastwood biographer Richard Schickel does the heavy lifting in a commentary that, amazingly, runs on fumes only reach the destroy of three hours. He maintains that Leone’s artistry was lost on critics of the 1960s because of the debate over the film’s violence (the Modern York Times pan was titled “The Burn, the Gouge and the Mangle”) . Leone was relatively tame by today’s standards, employing “an tremendous amount of foreplay” before the killings, as in this movie’s well-known final shootout, Schickel remarks.

MGM’s John Kirk covers the audio restoration, a sore set for Leone purists. Eastwood and Eli Wallach rerecorded their voices in 2002 for the restored scenes, which had never been dubbed. (Everyone on the production unbiased spoke whatever language they spoke.) Another actor stood in for the gradual Lee Van Cleef

The Anthology also includes the DVD debut of “Duck, You Sucker,” a holy grail title for fans. This is the Italian carve of the 1972 Mexican adventure starring Rod Steiger and James Coburn, running at its tubby length of almost 3 hours.
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Stream The Lizzie McGuire Movie Online. Movie Title: The Lizzie McGuire Movie Average customer review: The Lizzie McGuire Movie is available for streaming or downloading. Click Here to Stream or Download The Lizzie McGuire Movie

The Lizzie McGuire Movie picks up where the Hit Disney Channel Recent TV Series left off. Hilary Duff is support as Lizzie, a lovely and generous hearted, but totally terrified teenage girl, preparing to leave Jr. High and proceed on to bigger and better things. The movie focuses on a very special graduation hurry that Lizzie and some of her classmates lift that summer, to Rome, Italy. Hoping this will be her chance to rep adventure instead of abominable luck for a change, Lizzie and her best friend Gordo tell to seize chances and have fun, and forget about the embarrassing social order of school and home. Once in Rome, Lizzie’s friend-turned-enemy, Kate, mopes about being ignored by the Italian boys, meanwhile, Lizzie’s weak crush Ethan scopes the chicks, and Gordo repeatedly catches himself scoping Lizzie. But Lizzie is entranced by an Italian pop-star she’s honest met, Paolo, who’s amazed at the likeness Lizzie shares with his outmoded singing partner, the dark-haired beauty Isabella. Paolo begs Lizzie to design on stage with him at a major awards reveal in the guise of the vacationing Isabella, and, remembering her stammer to have an adventure, Lizzie agrees to go through with it. Time passes as Lizzie is being prepped for the fraud, and as it does, she finds herself growing closer to Paolo and discovering assertive qualities she didn’t know she had. But as Paolo’s draw is rising to fruition, Gordo is having a heck of a time keeping Lizzie’s adventures secret from the group of American travelers and their vicious chaperone/tour guide. Aid home, Lizzie’s minute brother Matt, under the corrupt influence of his friend Melina, is working on another understanding to kill his sister’s reputation, this time requiring himself and his parents to proceed to Rome as well. When the day of Lizzie’s broad performance finally arrives, so does Lizzie’s family, not to mention the mysterious pop-star Isabella! It’s anybody’s guess how the sizable note will turn out, not to mention who will regain the girls in the demolish!

The Lizzie McGuire Movie was a incredible surprise, even for this true Hilary lover and long-time fan of the series. From the elegant cute and perfect opening scene, to the fan and crowd dazzling feel-good ending, this was a perfect movie for such a gigantic hit TV indicate. I must admit, it WAS attractive curious to perceive all the Lizzie McGuire characters on the ample hide, but it was very cold once I got ancient to it. The graduation scene bothered me a bit, because they felt they had to give an explanation for every major character, making statements the TV indicate fans already knew, like how Kate aged to be Lizzie’s best friend until she became common, etc…, but that was the only thing in the whole movie that bugged me. It wouldn’t even have been that poor, if not for the plan they did it, rushing from one character to another like, “we need to earn these character explanations out of the device,” mentioning how Lizzie’s other best friend, Miranda, was away in Mexico and things like that. But like I said, that was the only fraction that bugged me in an otherwise incredibly gargantuan movie! As a long-time fan of the present, a couple of parts nearly made me scream, though I’m certain sometimes it was objective the result of seeing my dreamgirl, Hilary Duff, up there looking astounding and doing the best acting I’ve ever seen her do! The portion where she gets on stage and does her thing, I was really getting choked up, because after coming to know the character the draw we have from the TV series, it was wonderful to contemplate the things Lizzie was doing in this movie as she finally found her confidence! I should also say that Hilary has really improved as a singer, actress, and in everything else she does! She even did a astronomical job as Isabella, the Italian pop-star! There were only a couple of times where she lost the accent a bit. But every girl should be able to survey that grand with both blonde AND brown hair! Ha. I wonder how Hilary would behold as a redhead? I can’t say enough sterling things about this movie! I objective can’t wait till it comes out on DVD. My eyes are even a small teary lawful now. Oh, what I would have given to have traded places with Gordo in that movie!

Hillary Duff is going to be a immense star and she is already on the knowing road to a huge future. Not only does she gaze cute, but she can act and hiss to. Oh yeah, and she seems incredibly humble and sweet despite all of her success.

Her Disney Channel series “Lizzie McGuire” makes its arrangement to the big-screen in a finale movie that will certainly sit well with young girls. It’s unprejudiced a 90-minute episode of the approved television note, with some extra money in the budget to shoot on position in Rome. But we can be grateful that it is a nice, wholeome record created for an age group usually neglected by Hollywood.

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Duff has a warm, sweet presence and the expend of a dinky arresting Lizzie to comment on the action adds a liveliness to her adventures. She is a proficient comedic actress, and clearly doesn’t catch `Lizzie’ great of a stretch. The film mainly serves as the aforementioned goodbye to the demonstrate, and another chance to go Duff as a pop singer, which she is aggressively pursuing in genuine life. Now that her prove is over, it will be enthralling to glance what Duff tackles next. Hopefully something more dramatic.

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Jim Topple was an irregular choice to explain. His only other film is the highly bawdy, R rated tickled film “Trick,” but he does a fine decent job here, wonderfully capturing Duff’s charming on-screen persona. Handsome shots of Rome add to the atmosphere and the keen soundtrack adds to the fun.

The film is a toothsome, sugary treat from begin to do. If it isn’t exactly high art, but a fun teen-girl romp that traffics in cute boys, hip outfits, and loads of cheesy (but fun) pop music. Throw in some light morals about friendship, fame, and trust, along with adorable teen crushes, and there’s something to recommend for fun family viewing.
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Hung Streaming. Movie Title: Hung Average customer review: Hung is available for streaming or downloading. Click Here to Stream or Download Hung

Hung started about the same time as Moral Blood season two. After the second episode I was zigzag! The main character is a high school history teacher and basketball coach whose house burns down, children want to live with his ex-wife and he’s broke broke broke. He meets up with a poet who he once (ahem) and together they hatch a harebrained contrivance to pimp him and his … out. Through this he has to deal with women he isn’t attracted to but learns to appreciate what’s under the skin, crazy women who pay for him but not his “services” and the working in’s and out’s of women. Meanwhile his pimp, Tanya, is suffering as a failed poet and drowning in her maintain lack of treasure in her life. Bumps and bruises along the blueprint but every episode bring laughter and smiles to my face (and my husbands!) .

The characters learn and even though they accumulate a lot more unpleasant than capable cards, they always grow. I’m very ecstatic with the direction this fresh series is going and sit in anticipation every Sunday night when my puny red dot that indicates my DVR is recording blinks on. Hung is a lot more than I had anticipated and am elated with the gem found under dirty gym socks and a slathering of sexual innuendo.

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I concept the first season of this explain was ok but I reflect it needs a lot of exquisite tuning to survive. Primarily, I found my attention wandering because the prove was meandering. There are a lot of characters. All of the characters seem unsafe about what they are doing. Because they lack focus and intent, the demonstrate lacks focus and intent. Thomas Jane, he who is “hung”, sort of decides to become a prostitute to solve his money problems. He never really seems 100% committed to the proposition though. It’s as if he’s dabbling in it. His pimp, the woman poet, has the same dilemma. His ex-wife is also impartial a minute bit more happily married to her 2nd husband than she was to him but her dedication to that marriage is also hanging by a thread. Their teen children are also aimless. It is thus not surprising that the explain lacks Oomph and pizazz. Worst of all, I never felt like hiring Jane myself, never the faintest exiguous jingle of charismatic attraction to him. Yes, he’s very proper looking but a man who wants to attract lot of women typically exudes a lot more than impartial honorable looks.

I mediate Jane needs to rev up the charm and allure and shed the soft beta male attitude that is his habitual mien. His pimp also has to either be someone else entirely or she has to become focused and intent on promoting him. She has to step up to the plate, not drift up to it. The gal muscling in on her territory is a lot more believable as a pimp than she is.

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The ex-wife and the kids need to be pulled sharply into focus or go entirely out of focus. Fair now they are fair blobs on the canvas.

Most of all, the writers and overall creator of this expose really need to derive down to doing some heavy rewriting for season two, if there is to be a season two. I suspect it is their fault that this reveal is so unfocused. There is only so noteworthy actors can do when the script doesn’t know where it is going.

If I compare this to another TV series premiere of the same season also by HBO, EASTBOUND AND DOWN, there is no comparison. That indicate nailed what it wanted to be and where it wanted to go suitable from the very first reveal. Then the expose only grew in power. Focus never drifted far, if at all, from its main character played by Danny McBride.
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Watch Once upon a Honeymoon Movie Online. Movie Title: Once upon a Honeymoon Average customer review: Once upon a Honeymoon is available for streaming or downloading. Click Here to Stream or Download Once upon a Honeymoon

This is a expansive DVD with extraordinary quality. A romantic comedy yes but also has espionage as the backdrop. Cary Grant shines and Ginger Rogers is unprejudiced so cute as the worship interest. The area definitely has substance! Highly Recommend!

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All of the Archive Collection DVDs are available from the Turner website for $17.99. Please abet Turner with getting more classic movies onto DVD.
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Stream 54 Online. Movie Title: 54 Average customer review: 54 is available for streaming or downloading. Click Here to Stream or Download 54

It’s always disappointing to realize, halfway through a movie, that you have no view what it’s about. On the surface, “54″ seems to be straightforward enough: it tells the memoir of a legendary ’70s Manhattan nightclub, a region so trendy that the doorman refused admission to nine out of every ten people who tried to salvage inside. Simply being seen at the club could salvage you invited into an elite social circle, which included not only royalty, but the biggest celebrities of the day… and for those lucky enough to glean entrance, drugs and sex were free for the asking.

Unfortunately, unsure of where to acquire this plan, “54″ degenerates into a muddled mass, remaining chilly and still from the viewer for the majority of its running time.

Shane (Ryan Phillippe) is a teenager with a crush on soap-opera star Julie Gloomy (Neve Campbell) . When a newspaper article reports that Julie has been spotted at the nightclub several times, the radiant but dim-witted Shane pays a visit. Gaining admission via his rugged superior looks, he manages to land a job as a busboy, eventually working his device up to bartender.

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The club’s owner, Steve Rubell (”Wayne’s World” creator Mike Myers, in a highly-touted dramatic role), is a drug addict who runs the nightclub his intention, with dinky regard for the consequences of his actions. (In a nationally-televised interview, for example, Rubell cheerfully admits that he lies to the IRS about how worthy money the club makes.) His is a world of pills, music, and regrets, none of which are easily remembered the next day.

This had the potential to be an animated legend, but the execution is, alas, very clumsy. The script is unfocused; it doesn’t really succeed at conveying either the excitement of the era, or any indication why the club was so highly regarded. It’s “The Last Days of Disco” meets “Boogie Nights,” with all the high-points somehow lost along the intention.

But whatever flaws the film may have, they are not the fault of Myers; indeed, so convincing is his performance that all thoughts of Wayne Campbell and Austin Powers were forever purged from my mind. Myers knows that Rubell is not a hero; he’s unprejudiced a junkie trying to come by by the best arrangement he knows how, and he plays the role accordingly. I have unique respect for his abilities as an actor.

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In fact, Myers is so obedient that the film suffers when he’s not on the conceal. Although the character of Rubell is engaging, he’s reduced to a relatively miniature fraction. Considering that nearly all the events which happen in the movie (including an IRS audit of the club and the death of a patron) would significantly affect his character, it’s surprising that he’s given so dinky camouflage time in comparison to the exceedingly bland Shane. Ryan Phillippe seems to be sleep-walking through his role, mumbling his lines and showing dinky interest in any of the much things that happen to him. Neve Campbell turns in her usual competent performance, but the script never allows her to become a “trusty” person. She remains objective another face passing briefly through Shane’s life. This is one of the most disappointing facets of the story: getting to know the “valid” person slack the Noted Actress persona that Julie wears should be fascinating; instead, it comes off as trite.

The movie succeeds, however, at capturing the claustrophobic feel of a crowded nightclub. Nearly every scene is “lit” only by neon signs or disco strobe lights. The grainy, underexposed gawk which results from this arrangement of shooting is unbiased suitable. The music is also well-chosen, capturing the feel of the behind ’70s. Rubell’s spoken introductions to many of the songs are also quite laughable. An “A+” for atmosphere, but alas, that alone doesn’t do a broad film.

“54″ isn’t infamous, but it steps all over itself while attempting to utter a record. Rather than needing MORE dwelling, the film should’ve dropped its superfluous elements and focused on its most enchanting storyline: Steve Rubell’s struggle to maintain the club initiate in the face of adversity. The film rolls along nicely during Mike Myers’ scenes, but overall it plays out like the disco music featured on its soundtrack: occasionally reliable, but ultimately going nowhere.

Remember Studio 54? And doesn’t it seem a long time ago?

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This was a dance club like no other in the slack 1970s. The patrons were either celebrities or those chosen at the front door because they had the “spy” of the radiant people. Inside was a fantasy of dancing and drugs, all lit by strobe lighting. And, as it had formerly been a theater, there was a even balcony for those almost private moments of brief romantic encounters. The waiters and bartenders were all ravishing young men and wore nothing but shorts and a bow tie. This is a yarn of one of these guys.

Ryan Phillips is cast in the role of Shane O’Shea, a 19 year veteran from Original Jersey who yearns for a star-studded life. He’s chosen at the door and is grand eyed with wonder and desire. Eventually, he becomes a waiter and later is promoted to bartender. There are a lot of women. And there is a lot of money. He even gets his describe in a magazine. Everything comes easy for him but he really is enthusiastic in a Novel Jersey girl who’s a rising soap opera star.

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The best role in the film goes to Mike Myers, who plays the legendary Steve Rubell who made it all happen. He’s a peculiar bird with an eccentric personality and he does a lot of drugs. The money rolls in and he is in pains with the IRS. But he’s so puffed up with his absorb importance that he even brags about it on TV. Eventually, he’s arrested and the party ends. But before it does, the filmgoers are treated to a minute thought of what it was befriend then.

I found the account funny, but I loved the nostalgia. Here was the music and the lights and the feeling of decadence that characterized a time that no longer exists. I lived through that time period. I remember. And so for those who are lively and those who want to step into the past for an hour and a half, I recommended this 1998 film.
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Watch The Cecil B. DeMille Collection Online. Movie Title: The Cecil B. DeMille Collection Average customer review: The Cecil B. DeMille Collection is available for streaming or downloading. Click Here to Stream or Download The Cecil B. DeMille Collection

Producer-director Cecil B. DeMille was one of Hollywood’s titanic storytellers. His movies are sometimes derided as hokum, as with the exquisite remake of THE TEN COMMANDMENTS (1956 that shows on TV every Easter season. But give the man credit for truly believing in the plots he was telling and for hiring the finest people on both sides of the camera. Decades later, his films are smooth being watched and greatly enjoyed.

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Universal’s THE CECIL B. DeMILLE COLLECTION contains no less than four grandly gripping and gorgeously photographed masterworks–THE Impress OF THE Inferior (1932, Paramount), CLEOPATRA (1934, Paramount), THE CRUSADES (1935, Paramount), and his masterpiece UNION PACIFIC (1939, Paramount) . Only the badly written and ludicrously acted FOUR Skittish PEOPLE (1934, Universal) is a dud. DeMille’s actors in Imprint OF THE Imperfect include Claudette Colbert as an depraved empress, Charles Laughton as Nero, Fredric March as a Roman officer, and Elissa Landi as the Christian girl whom March will sacrifice his life for. Glimpse for Colbert bathing in asses’ milk, which two kittens lick. This is the uncut roadshow version.

Two years later, Colbert is Cleopatra and her leading men are Warren William and Henry Wilcoxon. I can never remember which is Julius Caesar and which is Marc Antony. This visual feast won a Cinematography Oscar for Victor Milner, who would work frequently with Mr. DeMille. The Interior Decoration should have won also. This 1934 production, running a tight 102 minutes, is light years more provocative than the four hour 1963 account.

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THE CRUSADES has Henry Wilcoxon again, this time as Richard the Lionhearted. We are in 1200 A.D., where the Christians are fighting for control of Jerusalem. Joseph Schildkraut has a grand supporting role as a power-mad soldier or general, C. Aubrey Smith is deeply intelligent as the Christian wise man willing to give up his life for Christianity, and Loretta Young is at her loveliest as Verangaria, who is willing to marry Richard so that his army has enough food and drink for a scuttle across the Middle East. THE CRUSADES is one of my accepted movies as a Christian about people willing to die for the power of Christianity. And, once again, Victor Milner makes it survey absolutely fair.

My celebrated in this first-class boxed plot is UNION PACIFIC, a thrilling 139 cramped saga about the building the Transcontinental Railroad in the 1860’s. The cast is magnificent–Barbara Stanwyck (with Irish brogue) as an engineer’s daughter torn between marshall Joel McCrea and utter robber Robert Preston. The chief poor guy is always dependably spoiled Brian Donlevy, while Akim Tamiroff and Lynne Overman are McCrea’s aides, always ready with pistol and whip. Boy, I esteem this movie, which has impeccable sets and photography. I know movies were frequently made on studio benefit lots, with a lot of rear projection. But UNION PACIFIC really looks as if it were shot out in the desert and with exact trains. It may be fiction, but it makes me feel like a kid again, watching all twelve chapters of a cliffhanger serial at one sitting. It is one of Mr. DeMille’s crowning achievements for me.

These prints are shining knockouts, seemingly all from the UCLA Film and TV Archives. They are tremendous fun, but also grunt knowing stories and have passionate triangle romances. If only Universal Home Video had included some serious bonuses and individual cardboard cases for each movie, like the incomparable Warner Home Video does. Because of that lack, I am giving this status a 5 star rating for four of the movies, but knocking it down 1 star for the packaging with the disks loose, two on top of each other on initiate up cardboard. Price this, Colleen Benn. The lack of bonuses and protective casing on the movies is especially galling on a station selling for $60 ($52 from Amazon), the same notice as the Warner Home Video deluxe sets. No, it is actually MORE expensive than Warners, and for LESS bonuses. I only paid $42 for a six film Clark Gable collection from Warners with a ton of bonuses and each movie in protective casing. One of these days, Universal will derive the lesson.

All us film buffs want to look more of these kind of titles finally coming out on DVD, but I’m flabbergasted that they’re putting out these animated but rather obscure films without any extras.

Sales figures exhibit that classic titles sell surprisingly well when they are accompanied by background documentaries and commentary tracks. DeMille isn’t exactly a household name nowadays, and this series cries out for a better release. Shame on Universal!
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Streaming Reefer Madness Online. Movie Title: Reefer Madness Average customer review: Reefer Madness is available for streaming or downloading. Click Here to Stream or Download Reefer Madness

The movie Reefer Madness seen by itself is really nothing to brag about, but this special addition for this best-selling cult classic is wonderful. It’s a must win, because for how cheap it is, you really earn your money’s worth. For the first time ever, I can say that the colorized version (complete with multicolor smoke and over saturated psychedelic color schemes) is better and looks better than the unique dismal and white, and both versions are available to gape which is considerate of the DVD producers to give us both, and it looks as top-notch as we can ever seek information from. Extra features are unbelievable highlighted by a hysterical commentary by Mike Nelson, formerly of Mystery Science Theater 3000, which is the sole reason why I bought this edition. The commentary by the people who colorized the film is also worth a notice. I highly recommend this unique edition.

In the 70s, NORML spread the tale that the government sponsored Reefer Madness. The truth, however, is that the film was made to play the Exploitation circuit… and was made with tongue firmly planted in cheek.

Thelma White (Mae) has said that the cast was specifically asked to “hoke it up.” And the scene in which Ralph demands that the piano be played “Faster… Faster!” comes straight out of 42nd Street–a film in which actor Dave O’Brien (yes, Ralph himself) had played a chorus boy.

So, if the makers of this film weren’t serious about their message, why did they perform the movie? Well, why did anybody obtain an Exploitation film in the 30s? To exhibit more skin than the Hays Code allowed, of course, and to capitalize on public fears. Simply put: they wanted to fabricate money. And do money they did.

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Unlike most Exploitation fare, Reefer Madness was shot over a period of three weeks, on a relatively gargantuan budget (by sub-Poverty Row standards) . Using an experienced director and a couple of actors who would go on to do first-rate work in Hollywood, this production is the creme-de-la-creme of 30’s Exploitation cinema.

Reefer Madness is every bit as hyperbolic as it was intended to be. Honest inspect it bright that its makers are laughing at you, and you’ll realize that this film is perhaps one of the greatest jokes ever played on an audience in the history of cinema. It’s certainly one of the most gripping.
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Watch Top Hat Movie Online. Movie Title: Top Hat Average customer review: Top Hat is available for streaming or downloading. Click Here to Stream or Download Top Hat

The fourth Fred & Ginger (F&G) movie, Top Hat is considered by many to be the quintessential one and is my personal current. In the Top Hat musical number, Fred cleverly uses his gentleman’s cane as a “machine gun.” And the ever-so-tender cheek to cheek number where he is singing and dancing with Ginger makes me feel like I am dancing in heaven as well. A deleted scene in some prints in which Bates (Eric Blore) insults a policeman, is demonstrate in this DVD.

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A running commentary with Ava Astaire McKenzie (daughter) includes background information about the supporting actors and trivia, such as the significance of the ring Fred wears in the film. And even though Ginger rides the horse in this movie, we learn that Fred is the exact horse lover. Ava admits she does not know everything about her dad and his career, which adds to the authenticity of what she does know and contributes.

A behind-the-scenes watch, the featurette, “On Top: Inside the Success of Top Hat” explains many intricacies and attention to detail in the making of the movie. Nothing is left to chance. You will be pleased all the names in the opening credits. It includes interviews with Ava Astaire McKenzie, archivists, and biographers with a mix of F&G photographs and film clips. (Hasten time 18:20)

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“Behold the Birdie” is a comedy short with a young Bob Hope playing a prankster on a fly ship who himself gets “pranked.” It’s sort of a let down after Top Hat, so I am not obvious why it’s included on the same DVD. (B&W, Race time 18:16)

“Page Miss Glory” (1936) is an obsolete Merrie Melodies cartoon about the exploits around a bell boy in an upscale hotel. It has a touch of Busby Berkeley reach the waste. (Urge time 7:43)

Theatrical Trailer (Bustle time 1:02)

Many times when the subject of old-time, classic movies comes up, my father inevitably brings up the memoir of how as a child he was given a quater on his ninth birthday and sent off to a local Baltimore, movie theatre with his friends to recognize the now classic movie musical, “Top Hat”. Honest recently I purchased the DVD box region, “Astaire & Rogers Collection, Volume 1″. Naturally, the first disc I viewed was “Top Hat”. Well after seeing this disc, I now know, why my Dad over seventy years later, is mild talking about this incredible fraction of cinematic, movie magic. To paraphrase an dilapidated Humphrey Bogart line, “this is the stuff that dreams are made of”. Where do you commence with what makes this movie substantial? You have to inaugurate with the pure magic of Fred Astaire & Ginger Rogers working together. This film is glorious distinguished this duo’s creative peak. You have Fred Astaire acting, cracking jokes, singing and best of all DANCING! If you wish to ever to scrutinize pure creative genuis at work, before your very eyes, then impartial scrutinize this man’s feet and body language. Astaire shows such elegance and grace, that he has now become the very definition of those words. As for Miss Rogers, her skills have been quite underrated in the past. You know the mature cliche saying, “she could do anything he could do…but she could do it backwords (and in heels) “. It’s good! This pair’s artistry and creative gifts perfectly match each other. My personal well-liked moment in the movie is the extended dance sequence between the two during the song, “Cheek to Cheek”. In the begining of the scene, when Astaire sings “I’m in heaven…” and then repeats the phrase, you really do have him! The two dancers fly along the dance floor as though they are in a dream. When the music majestically swells and he dips her, there is truely a sense of romance and sensuality, that is completly overwelming. It really is a classic scene from movie history. Astaire & Rogers are joined by a classic cast of silly, character actors, who forever will go down in cinematic memory. There is Edward Everett Horton, who plays Astaire’s stuffy indicate producer. He is the ‘King of the humorous, double-take’. His man-servant is played by the droll actor, Eric Blore, who reminds me of a school boy, who knows he’s played some sort of playful prank. Horton’s wife is played by actress, Helen Broderick, who seems to have made an art perform out of delivering her lines with irony & sarcasm. Finally there is laughable actor, Eric Rhodes with his hilariously design over the top, Italian accent (he puts Chico Marx to shame!) and his foppish ways. The songs in this film have now become favorite standards, that have become engrained in our culture’s musical consciousness. All are written by Composer, Irving Berlin and include classics such “Isn’t This a Magnificent Day”, “Top Hat, White Tie and Tails”, Cheek to Cheek” and “No Strings (I’m Worship Free) “. While countless performers have covered these songs, it is the Astaire & Rodgers renditions from this film, that is in our collective memory. Finally mention should be of the movies’ handsome costumes and especially the almost fantasy-like, art decco, stylized sets which seem to effortlessly transport the viewer to another world. Remember, this film was released during the height of the ‘Great Depression’. It was tough times for many movie patrons support then. Well, for one hour fourty minutes through the singing, dancing, comedy and the fabulous visuals it must have made folks forget their troubles. These days I suspect this film can composed work it’s amazing movie magic! The DVD report itself is crystal obvious and highlights the delicate B&W photography. The sound is O.K. for a film from 1935. Extras include a short featurette on the making of the film, commentary from Astaire’s daughter, a theatrical trailer, a Warner Bros. cartoon and a Bob Hope comedy short. For a night of enormous escapist entertaiment, I highly recommend the classic film “Top Hat”! Dad certainly liked it!
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Watch Osmosis Jones Online. Movie Title: Osmosis Jones Average customer review: Osmosis Jones is available for streaming or downloading. Click Here to Stream or Download Osmosis Jones

Osmosis Jones is one of those movies you almost feel like you have to apologize for liking. Well, forget about it, because this is a very silly and downright engrossing movie with no class whatsoever!

The scenes bounce between live acting and fat animation, distinct by whether we are outside or inside the body of Frank. The casting for this comical and weird movie was expertly chosen for both live and philosophize roles.

Live, we have Bill Murray as Frank, in his most disgusting character since Caddyshack. Chris Elliot plays his brother Bob, and manages to challenge Murray in the “disgusting slob” category. Murray eats a hard boiled egg that landed in monkey doodoo, and thus introduces Thrax into his body, a red-death virus definite to bewitch over Frank and raze him. (voiced by Laurence Fishburne)

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Inside of Frank, we go to the animation where Chris Rock is the command of our hero, a white blood cell named Osmosis Jones. Jones is a detective for the City Of Frank, where William Shatner does the recount for Mayor Phlemming. Jones knows something is sinister, but the Mayor denies any illness could occur in Frank. But unprejudiced to be superior, he “manually overrides” Frank and has him bewitch a wintry pill.

Meet Drix, the enormous and snotty icy pill, whose converse is played by David Hyde Pierce (Frazier’s brother Niles) . Jones and Drix invent an unlikely team as they hunt down Thrax and try to halt him from killing Frank.

Nothing is taboo here; they go to the nose and salvage caught up in the wave of snot when Frank’s allergies act up, they proceed to The Zit, Frank’s hottest modern club where Kidney Rock is playing (Kidd Rock), and Jones reminisces about the time he hit the “Scare Button” in Frank’s stomach, causing him to vomit all over his daughter Shane’s teacher. (played live action by Molly Shannon)

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Boogers, snot, vomit, farts, and zits; its all here. Ron Howard even does a guest utter as Tom Colonic, running for Mayor against Phlemming, who broadcasts his campaign commercial from The Bowels.

This is visceral entertainment with a squishy feel to it, riotously silly and well endowed with toilet humor; laughable campy comedy at its very best. In David Litton’s first-rate review below, he mentioned that this was a “Fun Time-waster”. Indeed it is, David. Devour!

I’ve been a 5th grade teacher for 5 years and have shown this movie each year as a reward after learning about the human body in science/health. The kids, for the most fragment, really luxuriate in it. There is objective enough inappropriate stuff in there to injurious them out - which they worship! As a teacher, I unbiased adore the entire analogy of the record - every microscopic cell in the body is working toward the same goal - keeping Frank alive. The kids like it, and I also relish it. There are some moments in there that are more adult humor that the kids don’t even fetch, so I’m able to regain a laugh out of it.
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Stream Life on Mars: The Complete Series Movie Online. Movie Title: Life on Mars: The Complete Series Average customer review: Life on Mars: The Complete Series is available for streaming or downloading. Click Here to Stream or Download Life on Mars: The Complete Series

…and give them to the actors and writers late Life On Mars. That’s my prediction…another case of “posthumous award giving”. The observation has been made that the American LOM has been adapted from the British version but I understand that the US production followed the new storyline for a while and then took a few radical turns. Variations on a theme, I guess, but it has been quite a move. I assumed that they would have to bring this account to a conclusion within a couple of seasons because the premise objective couldn’t be strung out forever but ABC definite isn’t doing it justice or doing us any favors by cutting it short and telling the producers to wrap it up prematurely.

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If you didn’t savor Harvey Keitel before this series then you owe it to yourself to glimpse all of these episodes. Michael Imperioli absolutely rules as Ray…I assure that I knew this character serve in the Seventies…really. Gretchen Mol is honest curious. Jason O’Mara makes his lost-in-time character so sympathetic that you can’t back but misfortune about where he’ll demolish up in the demolish.

So long, Life On Mars…it was all too brief but it was astounding.

Just like a person who dies at a young age, this note was dropped good as it was hitting its budge. I watched this note from the very first episode and LOVED, LOVED, LOVED it. The acting was obedient. Michael Imperioli and Harvey Keitel were lustrous, as were Jason O’Mara and

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Gretchen Mol. Since I grew up in the 70’s, I was amazed at how effective the writers were able to take that time period. I couldn’t wait each week to study what song choices would be selected for each episode. I was

crushed when it was cancelled but have to give credit to the writers for

closing up a very complicated position in 10 minutes. The ending, while rushed, did respond many questions for a very clever point to. I will

certainly win the DVD to have something decent to look since network

television cannot support any quality shows.

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