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Movie Title: Bloom
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BLOOM is bound to polarize audiences into those who believe Joyce’s great novel ULYSSES should never be tampered with and those who welcome revisiting the glories of the story of one day (June 16, 1904) in the lives of three main characters in the streets and surroundings of Dublin, Ireland. For this viewer this adaptation by Sean Walsh for the screen works on almost every level. Walsh was brave indeed to make the internal dialogues of these important and endlessly interesting characters visual, and how he succeeded will be, happily, up to the interpretation of the viewer.

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Joyce’s ULLYSSES intertwines the thoughts and strolls and inner thinking and perseverations of Molly Bloom (Angeline Ball) who opens the film with lusty thoughts of her well-endowed lover while lolling in bed with her husband Leopold Bloom (Stephen Rea) who is fixated on specific parts of the female anatomy and who holds in abeyance his grief for his dead son. The other character of focus is Stephen Dedalus (Hugh O’Conor) whose general awakening to the world is both exhilarating and isolatedly toxic. There is no real story here, simply the meanderings and happenstance crossing of paths of these three indelible people. If at times the musings and fantasies of Leopold Bloom seem on the verge of outrageous (especially the scenes of his thoughts about domination/submission complete with oddly costumed characters), if the views of the ’snot-green’ sea seem repetitive, if Molly Bloom’s sexual antics border on absurd, then just return to ULYSSES and the seeds are all there.

For many, James Joyce is an acquired taste and the random nature of this filmed version of his writing will be off-putting. But for those who still relish the thoughts of the initial struggles and eventual rewards of reading ULYSSES, this film will satisfy. Kudos to Sean Walsh and to his committed cast of Stephen Rea, Angeline Ball and Hugh O’Conor for making it happen. Grady Harp, April 05

If you are unfamiliar with - or intimidated by - arguably the finest English language novel of the 20th century, this film is for you. Like those from many Irish households that have unread copies of “Ulysses” on the shelves, I was both fascinated and reluctant to take on this novel. That all changed once I got my hands on this DVD. After a couple of viewings of this very beautiful and intelligent film, I launched myself on to an incredibly rewarding adventure of reading the book itself.

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Scholars can quivel over the minor points but from my reading the novel, the movie stays very close to the book while masterfully dealing with a number of concurrent plots. The devotion of the director, the actors and other participants in the making of this film mirror that of “Lord of the Ring” trilogy but on an obviously smaller scale. Often projects done out of love justify avoiding such films at all costs but this time the passion succeeds.

This movie brings “Ulysses” out of the ivory tower and out on to the streets of Dublin town where it belongs.

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